This is a homage to Lucio Fontana. We perceive a painting as a flat, two-dimensional object, but Fontana revolutionized our understanding by cutting the canvas, revealing the void behind it and transforming the work into something three-dimensional. I employ the same principle but invert it. Rather than revealing emptiness through the cuts, I reveal light itself. By cutting through the shade, the light from within the fixture breaks through intensely at those points, creating a striking contrast with the softer, diffused glow that filters through the fabric elsewhere. The object transforms from a simple light fixture into a sculptural work. Like Fontana’s slashed canvas, this work fundamentally changes how we perceive the object itself. The name is inspired by Giò Ponti, who used to call these types of light fixtures: Quadri di luce. My twist: “Quadro di Lucio” is to underscore the homage to Fontana.